丹麦馆：万-物-连-通

策展人：玛丽安娜·克罗

1 展馆内景/Interior view of pavilion

丹麦馆的循环水系统使参观者、感官与周边环境相互连通

万-物-连-通：第17届威尼斯国际建筑双年展的丹麦馆展示了一个由从威尼斯当地集水的巨型循环水系统构成的完整装置，并以此聚焦人与人、人与自然之间的连通。

参观者能在整个探索连通概念的作品中进行体验，呼应2021建筑双年展的主题“我们将如何共同生活？”丹麦馆的创作让我们思考：建筑作为一种艺术形式如何能让人看到不可见的东西，并唤起一种人与地球万物之间不可磨灭的连通感。

“人类在数百年间将世界分割成许许多多相互独立的部分，造成了大量与气候相关的问题，却对我们的行为给千里之外带来的影响毫无意识。而在我们生活的时代里，这些影响已能清晰地呈现出来。当前的疫情就是一个令人忧虑的实例，而这是好事也是坏事。丹麦馆的目的就是创造一个新的关于凝聚的体验空间，在这里，参观者可以通过自己的身体感受到我们与万物之间的连通。”丹麦馆策展人玛丽安娜·克罗表示。

展览的建筑设计方、伦高与特兰贝里建筑师事务所同策展人玛丽安娜·克罗合作创造了整个装置，彻底改变了丹麦馆，并使它沉浸在自然的循环系统之中，而水是其中的核心要素。这个场地特有的展览会调动人的所有感官。

“我们相信，通过调动各种感官，我们就能从更宏观的环境中去理解自身。这是担起善待地球和善待彼此责任的第一步。”玛丽安娜·克罗称。

作为艺术和建筑手法的一部分，现有两馆的建筑是该展览整体的一部分。贯穿建筑的管道和室外的集水罐清晰可见。在场馆大厅里，从地面到天花的纺织物为简朴的结构增添了一种对比和触感，另有一块从原来的体育馆中回收的地板被改造成巨大的悬浮平台。在探索展览各个空间的过程中，参观者可以喝一杯用馆中种植的柠檬马鞭草沏成的茶，并以此融入这个循环系统之中，而这些植物也会吸收这个庞大的循环系统中的水。

本展览提出了一个问题：我们如何能同这个世界（重新）建立一种有意义的新关系，并使它成为一个让我们意识到人与人，以及与一切生物相互连通的基本状态的地方？人与地球之间的依赖关系是全人类可持续发展的基础。这一点通过将场馆的装置与地球本身的循环系统连通体现出来。

共同的生命系统

这个展览的体验出自参观者与这座建筑及周边环境之间的邂逅。在这里，水循环系统不断营造着感官的体验，场馆中的水在原地进行收集。气候的变换将不断改变展览的形象和感受——例如，场馆的局部会被水淹没，以此表明水既充满诗意、具有强大的力量、能赋予生命，同时也难以控制。这一作品由相互连通的房间组成，水会流入这些房间，并成为展览和感官体验的一部分，随后再离开场馆，通过人体循环、蒸发、光合作用等过程，渗入大地。

“作为建筑师，我们尝试探索人们共同生活的方式。我们创作的前提是：建筑永远处在同自然的关系之中。在这座场馆中，我们尝试让人们看到循环系统。这有助于我们将自身理解为宏观世界的一部分。在最理想的情况下，展览有助于澄清这一点：我们与万物是连通一体的，并生活在互惠互利的关系之中。”伦高与特兰贝里建筑师事务所的联合创始人、建筑师莱娜·特兰贝里解释道。□（尚晋 译）

2 展馆外景/Exterior view of pavilion

项目信息/Credits and Data

委托方/Commissioner: Kent Martinussen, 丹麦建筑中心/Danish Architecture Center

主要赞助方/Main Sponsors: 丹麦建筑与规划基金会，丹麦文化部，丹麦艺术基金会/Realdania, the Ministry of Culture Denmark, the Danish Arts Foundation's Committee

策展人/Curator: Marianne Krogh

建筑设计团队/Architectural Team: Lundgaard & Tranberg Architects

合作/Collaborators: Ministry of Culture, Realdania, Statens Kunstfonds Legat- og Projektstøtteudvalg for Arkitektur, Beckett-Fonden, Dreyers Fond, Ny Carlsbergfondet, Knud Højgaards Fond, Bestles Fond

其他赞助方/Other Sponsors: Kvadrat, Mads Nørgaard, HAY, Junckers, STARK, Danish Blue Cross, Danish Red Cross

设计时间/Design Time: 2019-2020

竣工时间/Completion Time: 2021.05

模型/Model: Lundgaard Tranberg Architects (fig. 3)

摄影/Photos: Hampus Berndtson (fig.1,2,4-10,12,13), Luca Delise (fig.11)

3 展陈模型/Exhibition model

4 展览装置/Exhibition installation

A Cyclic Water System Connects Visitors, Senses and Surroundings at the Danish Pavilion

Con-nect-ed-ness: The Danish Pavilion at the 17th International Architecture Exhibition - La Biennale di Venezia focuses on people's connection with each other and with nature, in a total installation consisting of a giant cyclic system of water collected locally in Venice.

Visitors to the Danish Pavilion at the 17th International Architecture Exhibition - La Biennale di Venezia in Venice can experience a single, complete work that explores the concept of connectedness. With reference to the main theme of the Biennale Architettura 2021, "How will we live together?", the Danish contribution reminds us of how architecture as an art form can render the invisible visible and evoke an indelible sense of connection between people and the Earth's elements.

"We are living in a time where we clearly experience the climate-related consequences of people having divided the world into separate units for centuries, without understanding that our actions have consequences many thousands of miles away. For better and for worse, with the current pandemic as a disturbing example. The aim of the Danish Pavilion is to create a space for a new experience of cohesion; where, with their own bodies, visitors can feel the connectedness between us all," says Marianne Krogh, curator of the Danish Pavilion.

Working together, the exhibition architects, Lundgaard & Tranberg Architects, and curator Marianne Krogh, have created a total installation that completely transforms the Danish Pavilion and immerses it in nature's cyclic system - with water as the core element. The site-specific exhibition caters to all the senses.

"We believe that, through our senses, we can begin to understand ourselves in a larger context. This is the first step toward taking responsibility, both in our approach to the planet and to each other", says Marianne Krogh.

5-7 展览装置/Exhibition installations

As part of the artistic and architectural approach, the existing architecture of the two pavilions is an integrated part of the exhibition. The pipes running throughout the building and the water collection tanks outside are visible. In the pavilion's large hall, floor-to-ceiling textiles add a contrast and tactility to the simple raw structures, while a recycled floor from a former gymnasium has been transformed into a giant floating platform. While exploring the various spaces of the exhibition, visitors can become part of the cyclic system by drinking a cup of tea brewed with leaves from the lemon verbena shrubs planted in the pavilion - shrubs which also absorb water from the extensive cyclic system.

The exhibition asks the question: How can we (re)create a new, meaningful relationship with the world as a place where we recognise the fundamental condition that we are connected - not just with each other, but with all living beings? The dependence between humans and Earth as the basis for a sustainable future for all is illustrated by linking the pavilion's installation directly to the planet's own cyclic system.

8.9 展馆内景/Interior views of pavilion

One Living System

The exhibition experience arises in the encounter between the visitor, the building and the surroundings, where the power of water's cyclic system continuously shapes the sensory experience. Water in the pavilion is collected on site, and climatic fluctuations will continuously shape the look and feel of the exhibition - for example, parts of the pavilion will be flooded to illustrate that water is at once life-giving, poetic, powerful and uncontrollable. The work comprises connected rooms where the water flows in, becomes part of the exhibition and sensory experience, and then leaves the pavilion again, through bodies, evaporation, photosynthesis, and absorption into the ground.

"As architects, we try to provide answers to how people can live together. We work on the precondition that architecture always stands in relation to nature. In the pavilion, we have sought to make a cyclic system visible, which helps us begin to understand ourselves as part of something bigger. In the best-case scenario, the exhibition can help to make clear that we are all connected and live in reciprocity," explains Lene Tranberg, co-founding partner and architect at Lundgaard & Tranberg Architects.□

10-12 展馆外景/Exterior views of pavilion13 展馆内景/Interior view of pavilion