谢子龙影像艺术馆,长沙,湖南,中国

2024-03-24 05:49湖南大学设计研究院有限公司地方工作室
世界建筑 2024年3期
关键词:艺术馆观者记忆

湖南大学设计研究院有限公司 | 地方工作室

1 总平面Site plan

客户:谢子龙影像艺术馆有限公司

主创建筑师:魏春雨,张光

设计团队:建筑 | 沈昕,刘海力,陈赟,文跃茗,佟琛,陈荣融;节能 |肖敏;结构 | 朱建华

建筑面积:10,621.91m2

设计时间:2015.10

竣工时间:2017.09

绘图:地方工作室

摄影:姚力

Client: Xie Zilong Photography Museum Co.,Ltd.

Principal Architects: WEI Chunyu,ZHANG Guang

Project Team: Architecture | SHEN Xin,LIU Haili,CHEN Yun,WEN Yueming,TONG Chen,CHEN Rongrong;Energy Conservation | XIAO Min;Structure |ZHU Jianhua

Floor Area: 10,621.91 m2

Design Time: 2015.10

Completion Time: 2017.09

Drawings: Regional Studio

Photos: YAO Li

影像馆设计始于对建筑、城市与自然关系的思考,现存的生态湿地环境揭示了建筑与城市的关系连接,提供了一个重新审视司空见惯的城市建筑景观的差异性角度,建筑与人、自然的关系 “等价”,以共存共生的方式共面世界。建筑本身是一个巨大的“艺术品自足体”,使用白色清水混凝土材料与高度集约化、现场一体化浇筑的建造方式,既是对建筑诗意的原初凝练,又是对中国传统“惜物”观念的思考与回应。

影像馆是储存记忆,唤醒观者记忆的场所。交叉的小径、弧桥、栈道、小码头等一系列构成暗示关乎自然与记忆的集体无意识。影像馆借助日常生活中熟悉的物来构建一个充满差异性、时间停滞的迷宫,引导观者关注疏离化之后的陌生感和身体性。

The design of Xie Zilong Photography Museum began with thinking about the relationship of architecture,city and nature.The existing ecological wetland reveals the connection between architecture and city,and provides a re-examination of a different perspective on urban architectural landscapes that has been in commonplace: architecture,people,and nature are equal,embracing the world in a way of intergrowth and coexistence.The building itself is a huge"artistic self-contained body".The construction,only white fair-faced concrete and a highly intensive,on-site integrated casting method,is not only an original condensed of architectural poetry,but also thinking and responding to the Chinese traditional idea of "thrift-worship".

The Photography Museum is a place to store memories and awaken the viewers' reflections.A series of constituent elements such as cross paths,arc bridges,boardwalks,and small docks suggest collective unconsciousness about nature and memory.The Photography Museum uses a familiar object in daily life to build a maze full of differences and time stagnation,and guides the viewer to pay attention to the strangeness and physicality after "Verfremdung".

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