设计单位: React建筑师事务所
主管建筑师:Yannis Vagias
工程设计:Christos Smyrnis
景观设计:Paros Fytotechniki
设计顾问:Nikos Christofyllakis
建筑面积 : 200平方米
项目年份 : 2017年
摄影师 :George Messaritakis
Architects: React Architects
Collaborating Architect – Supervision: Yannis Vagias
Engineering: Christos Smyrnis
Landscape: Paros Fytotechniki
Consultants: Nikos Christofyllakis
Area: 200 m?
Year: 2017
Photographs: George Messaritakis
“佳景”別墅位于基克拉迪群岛帕罗斯岛上的阿格里亚。别墅朝西,面向大海。建筑从自然的斜坡上伸出,在漂浮于地面上的悬臂平台上排列,东侧有一个露台,可以抵御北风。
别墅的入口位于场地的最西端。后院坐落在建筑和斜坡之间的核心空间之中,并向南侧延伸,与露台相接。它是自然与建筑之间,以及主屋、公共区域、客房和露台之间的中间地带。
建筑重新诠释了基克拉迪建筑的基本元素:白色体块与开放空间相互连接,位于悬臂平台上,这是一个观景点,可以看到安提帕罗斯岛和坠入爱琴海的山坡。这一设计创造了一种当代建筑语言,与自然景观融为一体,因为平台是现存农业梯田的一部分。
别墅被设计成一系列朝向景观的框架,从而将建筑变成一个“观景机器”。我们认为建筑设计是对“凝视”的微妙定义,房子是一个观看机器,但其本身也是一个受观察的对象。
The house is located at Ageria, on the island of Paros, in the Cyclades. It faces west, towards the sea. The buildings protrude from the natural slope, and they are aligned on a cantilever slab that floats over the land. On their eastern side lays the patio, protected from the northern winds.
The entrance to the house is placed on the westernmost point of the plot. The backyard nestles in the core space between the buildings and the slope, and it extends towards the south side to meet the patio. It is the intermediate between the natural and the built, and between the main house, the common areas, the guest house and the patio.
The buildings reinterpret the basic elements of the Cycladic architecture: white volumes interconnect with open spaces, but this time they rest on a cantilever platform, an observation point that touches the earth lightly, with a view towards Antiparos island and the hillside that plunges into the Aegean. A gesture that creates a contemporary architectural language, integrated with the natural landscape, since the platform was part of a pre-existing agricultural terrace.
The house is designed as a series of frames towards the view, thus turning the building in a “viewing machine”. We perceive the architectural design as a subtle definition of the Gaze, and the house as a viewing machine, but also an object that itself is subject to observation.