走近明清闺阁文化

陈晶

憑阑观史 挽袖作词

Exhibition Showcases Womens Life in the Ming and the Qing

最美人间四月天，与君挽袖作新词。

杭州工艺美术博物馆“凭阑观史”系列展二——“挽袖作新词·明清闺阁文化展”在中国扇博物馆举行。展览共计展出119件展品，其中包含76组挽袖、19件服饰和12件书画等，从闺阁女子的绣品、衣物、诗词，尝试为观众营造出一个动人、动情的闺秀女性空间，解读明清闺阁的文化内涵。

本次展览有两件一级文物亮相，分别为清恽冰的《玉洞仙株图轴》和明柳如是的白端写经砚。恽冰是清代恽氏画家中声誉较高、传世作品最多的女画家，她深得恽氏没骨画家传，潜心于花鸟画创作，与马荃并称为女性花鸟之“二绝”。柳如是为明末清初女诗人，被誉为“秦淮八艳”之首，工诗善画，著有《戊寅草》《柳如是诗》等。国学大师陈寅恪曾在他的《柳如是别传》中评价说，柳如是具有优异突出的文学才能。

， a part in a series of exhibitions presented by Hangzhou Arts and Crafts Museum， started on April 25 and will run through July 26. The venue is the second-floor hall at China Fan Museum in Hangzhou. Altogether there are 119 exhibits on display， including seventy-six  pieces （decorative silk embroideries for sleeves）， nineteen dresses and twelve artworks of painting and calligraphy. Among the exhibits are two class-one national treasures. One is a painting by Yun Bing， a woman artist of the Qing Dynasty （1644-1911）. The other is an ink-stone once used by Liu Rushi， a woman poet and artist whose life spanned the last years of the Ming Dynasty （1368-1644） and the early years of the Qing. The two exhibits are loaned from Zhejiang Museum.