布拉德伯里工作坊综合体

项目地点：英国达尔斯顿

建筑设计：[Y/N]建筑工作室

项目功能：工作空间，商业

项目负责人：亚历克斯·史密斯

设计团队：Maegan Icke， Elena Gruber， Roxani Tseranidou， Margherita Zompa， Carolina Borgatti， Ezmira Peraj， Ainhoa Valle

主承包商：Vortex室内装饰公司

项目管理：赫利俄斯项目管理公司

结构工程：Engenuiti

机电设计：索恩利和兰姆顾问公司

项目规划：JMS规划发展公司

面积：1 578 平方米

竣工年份：2022年

项目摄影：French + Tye

Location： Dalston， United Kingdom

Architects： [Y/N] Studio

Program / Use / Building Function： Workspace， Commercial

Project Lead： Alex Smith

Project Team： Maegan Icke， Elena Gruber， Roxani Tseranidou， Margherita Zompa， Carolina Borgatti， Ezmira Peraj， Ainhoa Valle

Main Contractor： Vortex Interiors

Project Management： Helios Project Management

Structural Engineer： Engenuiti

M&E Consultant： Thornley and Lumb

Planning Consultant： JMS Planning and Development

Area： 1 578 m?

Year： 2022

Photographs： French + Tye

布拉德伯里工作坊综合体建筑位于达尔斯顿吉勒特广场，现已重新向新老租户开放。新大楼涵盖600平方米经济适用工作空间的翻新、10个迷你零售单元的更换，以及在两层扩建部分中打造近500平方米的额外工作区域。布拉德伯里工作坊综合体是该地区以社区为中心、最独特的公共空间，代表了该建筑类型发展历程的未来。

该方案旨在保留原有建筑（包括其租户）的最佳状态，同时提供额外的灵活空间，以适应各种业务的需求。新的10平方米底层零售商铺面向广场，设有可完全打开的玻璃门，由异形金属门进一步保护开关安全和隐私，对外开放时可以通过鲜明的招牌改变单个空间。

原有维多利亚式露台的砖石结构被保留、修复和翻新，成为10——36平方米的中小型工作单元，同时，面向布拉德伯里街的现有商店、酒吧和餐馆也得以保留。一个双层高的外部露台空间（有遮篷）为上层单元提供通道。野餐桌、常绿蕨类植物和藤蔓植物一年四季鼓励租户在此相聚，增加与广场的互动。在三楼，新的工作空间设有私人夹层，可通过朝南的户外平台进入。

通过提供新的全玻璃入口，进入新大楼的原有入口得以保留和改善。[Y/N]工作室设计了新的品牌和标识。现有的楼梯间和入口根据“CMYK”印刷颜色范围以青色、品红、黄色和黑色重新粉刷，这四种颜色可通过简单且对比鲜明的组合来创作任何艺术品。

这反映了该建筑的追求，即成为一个文化和学科大熔炉，实现一加一大于二的目标。在建筑的其他区域，柔和的灰色地板与白色墙壁的简单色调为用户自定义提供空间，以满足他们的个性要求。

最后，建筑被均匀的聚碳酸酯立面包覆，通过异形铣削铝底座和屋顶完成。轻质反光的表面创造出一种奇异外观，然而，靠近观察半透明特性的材料，发现白色砖立面和露台从外面仍然可见。

后方立面允许充足的光线进入工作空间和办公室隔间。在白天，覆层可反射天空和外部环境的颜色变化，在夜间则会发光，呈现内部活动。

Bradbury Works in Gillett Square， Dalston， has now re-opened its doors to new and returning tenants. The new building includes the refurbishment of 600m2 of existing affordable workspace， the replacement of ten mini retail units， and the provision of almost 500m2 of extra workspace in a two-story extension. Bradbury Works is the next step in the evolving story of one of the most unique and community-focused public spaces in the capital.

The scheme looks to retain the best attributes of the existing building including its tenants while providing additional flexible spaces to suit a variety of businesses. Facing into the square， new 10m2 retail pods are provided with fully openable glazed frontages which are further protected by profiled metal gates for security and privacy when closed but can transform the individual spaces with vibrant signage when open.

The original masonry structure of the existing Victorian terrace has been retained， refurbished， and renovated， providing small and medium 10-36m2 workspace units while preserving the existing shops， bars， and restaurants facing onto Bradbury Street. A covered double-height external terrace space provides access to the upper units. Picnic tables， evergreen ferns， and climbing plants intend to encourage tenants to come together in all seasons and increase interaction with the square. On the third floor， new workspaces with private mezzanine levels in the pitch are accessed by a south-facing external deck.

Access to the new building is via the existing entrance which has been retained and improved by providing a new fully glazed entrance. New branding and wayfinding signage was designed by [Y/N] Studio. The existing stairwell and entrance have been repainted with the colors Cyan， Magenta， Yellow， and Key （black） referring to the ‘CMYK printing color range where four simple and contrasting colors combined can be used to create any artwork.

This mirrors the ambition for the building to become a melting pot of cultures and disciplines that are greater than the sum of their parts. In all other areas of the building， a simple color palette of muted grey flooring and white-painted walls allows tenants the agency to customize their space to suit their requirements and personalities.

Finally， the building is wrapped in a homogenous polycarbonate fa?ade and completed with a profiled mill-finished aluminum base and roof. The lightweight and reflective skin creates the appearance of a singular form， however， on closer inspection the translucent character of the material allows the white-painted brick fa?ade and the terrace to remain visible from the outside.

Behind， the fa?ade allows for plenty of light to enter the workspaces and breakout spaces. During the daytime， the cladding reflects the changing colors of the sky and external environment while glowing at night to reveal internal activities.