密歇根大学史蒂芬M.罗斯商学院美国密歇根州安阿伯市

业主：密歇根大学

项目规模：42794平方米

类型：教育项目

合作设计单位：Anthony Blackett（教育功能策划）

摄影：Aerial Associates (p38), Barbara Karant (p39),David Ottavio (p39), Tim Griffith (p39, 40, 41),Raimund Koch (p41)

Client: University of Michigan

Size: 42,794 SM

Program: Education

Team: Anthony Blackett (Educational Programmer)

Photography: Aerial Associates (p38), Barbara Karant (p39),David Ottavio (p39), Tim Griffith (p39, 40, 41),Raimund Koch (p41)

综合采用天然赤陶土、沙漠金砂岩及成品玻璃，呼应人的尺度，与周围的校园共同形成一个和谐的环境。

该项目历经12年分两期完成，将新建筑和翻新建筑完美结合，成为世界上最先进的商学教育设施之一。项目主要目标是改变学院的文化氛围，设置新的前门和一系列具有凝聚力和启发灵感的室内外空间，强化一系列特征，包括一个冬景花园，可用作学院的学术和社交生活中心。

在项目的设计过程中，团队优先考虑材料特性和工艺，综合采用陶土、玻璃、木材和纺织品。从概念设计到项目结束，KPF与制造商和工匠全线保持密切联系。同时设计团队还与慕尼黑的陶土制造商密切合作，定制竖向凹槽外部面板。经过多次工厂参观和修改以及染料测试，团队最终决定采用天然赤陶土，打破了校园无处不在的红色粘土砖建筑风格，丰富了校园建筑语言。

千变万化的组合形式在建筑内部以更小的尺度比例体现出来。公共区域的地毯将外部颜色抽象化为深紫红色、金色和翠绿色图案。艺术家在铜板上溅上酸，引起化学反应，这一过程被拍摄下来并按投射到织机上的进行比例缩放来纺织图案。

The schooI's combined massing of naturaI red terracotta, desert goId sandstone, and finished gIass defines a human scaIe and offers a harmonious addition to the surrounding campus.

Completed in two phases over the course of 12 years, the project combines new construction and renovation to provide the school with one of the most advanced business education facilities in the world.Its primary objective was to transform the culture of the school, giving it a strong identity with a new front door and a cohesive and inspiring series of exterior and interior spaces, including a winter garden that serves as a center of gravity for the school’s intellectual and social life.

From project kickoff, the team prioritized materiality and artisanship in design development. A mosaic of terracotta, glass, wood, and textile, the school benefits from KPF’s close relationships with fabricators and artisans, together creating a through line from concept to project close-out. The design team worked closely with a Munich-based terracotta fabricator to customize the vertically fluted exterior panels.After several visits to the factory, numerous revisions and dye tests, the team decided on a natural red terracotta. Breaking from the ubiquity of red clay brick was a sophisticated design choice, expanding on the existing architectural vernacular of the campus.

The kaleidoscopic composition of the school is reflected on a smaller scale in the building’s interior. The common area’s carpet abstracts the exterior color palette into a pattern of burgundy, gold and emerald.The artist splattered acid on a copper plate, causing a chemical reaction that was photographed and stretched to a scale that could be projected on to a non-repeating loom.