【卷首语】

本期的《热点人物》，我们向大家推介的是一位知名艺术家同时也是策展人的洪浩先生。他的艺术充分表现出了自由把控各种媒介的想象力，用一种轻松戏拟的方式对现实生存进行着深刻的批评，这样的趣味是让人深思的。

本期的《展览现场》我们仍然关注那些具有新媒体、新观念特色的近期展事，“Digital Revolution”数码巴比肯展以一种虚拟生存的方式向大家阐释着一种当代艺术的寓言，这样的寓言是令人深思的。

本期的《理论研究》栏目汇聚了一些最新的颇具探索精神的理论成果。王晋、蒋旎的《当代新媒体艺术作品形态及国内发展状态概观》以一种高屋建瓴的态势纵论新媒体艺术的当前发展，让人震惊而又振奋。刘兴山《雕塑复制技术的革新——对上海自然博物馆模型复制技术的研究》结合实例对于雕塑复制技术革新的介绍和研究，也相当发人深省。

天津美术学院学报执行主编 邵亮

2018年2月

[Editorial]

In this issue, our Hotspot Figures highlights Mr.Hong Hao, a well-known artist and curator.His art fully demonstrates his imagination in controlling all kinds of media freely, and criticizes reality in a light and parodical way,which makes people think deeply.

In Exhibition Reviews, we still concern exhibition updates suggesting new media and innovative notions.The exhibition Digital Revolution presents a thought-provoking allegory of contemporary art in a virtually-surviving manner.

Theoretical Research presents some exploratory results of theoretical studies.“Forms of Contemporary New Media Artworks and An Overview of Their Development in China” by Wang Jin and Jiang Ni is an intriguing surprise,providing an overview of ongoing new media developments in a farsighted manner.And Liu Xingshan's “Innovated Sculpture Reproduction Technology: A Study of Model Reproduction Technology in Shanghai Natural History Museum” is also insightful in offering a case of sculpture reproduction technology.

Shao Liang, executive chief editor of Journal of Tianjin Academy of Fine Arts

February 2018