临商银行综合楼设计，临沂，山东

设计主持：常青

方案设计：常青，张鹏，邹勋

合作设计：宋庆，王妍，郑君彧

施工图设计单位：临沂市建筑设计研

究院

结构形式：框筒结构

场地面积：19,862m²

建筑面积：89,513m²

建筑高度：163.8m

设计时间：2006

竣工时间：2012

摄影：韩勇，马松瑞，王海城，张健

Principal Architect: CHANG Qing

Schematic Design: CHANG Qing,

ZHANG Peng, ZOU Xun

Cooperative Architects: SONG Qing,

WANG Yan, ZHENG Junyu

Construction Drawing Design: Linyi

Architectural Design and Research

Institute

Structure: Frame structure

Site Area: 19,862 m²

Floor Area: 89,513 m²

Building Height: 163.8 m

Design Time: 2006

Completion Time: 2012

Photos: HAN Yong, MA Songrui,

WANG Haicheng, ZHANG Jian

临沂市商业银行大楼位于临沂市北部南坊新区，西临沂蒙路，南临内环路，基地西侧有规划中的景观河道。大楼由一栋41 层的主体办公塔楼、5 层的裙房和2 层的地下室组成，主楼高173.9m。采用钢筋混凝土框架核心筒结构，灌注桩筏板基础。2006 年由常青主持完成实施建筑方案设计，临沂市建筑设计研究院有限公司完成施工设计，2012 年竣工投入使用。

主楼平面双轴对称，并自下而上使用了正方形、“亜”字形、多边形、多棱形和圆形等多种几何形式。使底部、中部、上部和顶部形成了丰富的形体空间变化，最后以圆形的旋转观景厅收顶。从中部转角玻璃体收入，到上部棱形折面玻璃体承托，再到顶端玻璃球体收顶，看上去在形体上虚实相宜，在材料上又相反相成，如宝石般晶莹剔透，浑然天成。

顶部处理表达了一种特有的文化意象，即临沂附近日照市莒县陵阳河大汶口文化遗址陶尊上镌刻的一个原始社会的象形文字“旦”字，表达了山体和云朵上的太阳，一字千金，隐喻了东方远古文明的太阳崇拜。不仅如此，整座塔楼强调竖向划分的上下收束和起承转合，既带着可唤醒文化记忆的中国古塔韵味，又以几何化的形体塑造，尤其是顶部球体下的多棱折面体处理，充分表达了在地历史原型的新装饰艺术化意象（Neo-Art Deco）。该工程获2013 年“鲁班奖”。□

The Linshang Bank Building is located in the Nanfang New Development District in northern Linyi City, Shandong Province, bordering Yimeng Road to the west and Inner Ring Road to the south. On the west side of the property, a scenic waterway is to be constructed. The building complex comprises a 41-storey, 173.9 metre tall office tower, a five-storey podium, and a two-level basement. It adopts a reinforced concrete frame and core structure with pile-raft foundations. Professor CHANG Qing of Tongji University oversaw the conceptual design of the building in 2006, while Linyi Architectural Design & Research Institute Co., Ltd conducted the construction design. It was completed and inaugurated in 2012.

The main tower is biaxially symmetrical and adopts a variety of geometric plan forms at different levels, including the square at the lower levels, the "亜"(ya)-shape at the middle levels, the prismatic polygon at the upper levels, and a circle at the top, allowing for the expression of rich spatial variations. A spinning circular observatory hall is perched atop the building's roof. It starts with a cornered glass in the middle, supported by a angularly folded glass in the upper section, and ends with a glass globe at the top, all contributing to the tower's appropriately balanced form, and different yet compatible materiality, like flawless and glistening gemstones.

The treatment of the rooftop expresses distinctive cultural imagery: the Neolithic pictogram word "dan", inscribed on a potteryzunvessel excavated from the nearby DawenkouCultural Relics Site in Lingyang River, Ju County,Rizhao City, symbolises the sun on the mountains and clouds and acts as a metaphor for sun worship in the ancient Eastern civilisation. In addition,the entire tower emphasises the vertically divided sections and boundaries as well as the structural relationship of "creation, continuation, transition and unification" (qi cheng zhuan he), not only retaining the flavour of an ancient Chinese pagoda that evokes cultural memory, but also fully capturing the Neo-Art Deco imagery of the local historical prototype through its geometric formmaking, especially the design of the multi-angular folded glass underneath the globe on the top.This project was awarded the China Construction Engineering Luban Prize in 2013.□ (Translated by ZHU Yayun)

项目评论

建筑师采用了均衡的布局形式实现了功能分区和各种流线的合理性，灵活多变的内部空间、科学的流线组织满足多类型现代办公的需求。挺拔的竖向线条和起承转合的形体关系，营造出具有传统古塔韵味的建筑形象。从建筑主体中部转角玻璃体的收入，到层层的收顶处理，再到顶部的旋转观景厅的圆型造型，整座塔楼呈现哥特式建筑强烈向上的形象特征；顶部球体下象征群山的V 型多棱折面体的处理，更是对新装饰艺术化倾向的表达。沉稳厚重的石材和晶莹剔透的玻璃虚实相宜，呈现现代金融属性建筑的特色。考究的建筑材料，精致的细部设计，融合中国传统哲学思想和西方建筑审美的现代设计手法，使临商大厦成为了城市中最具中西文化意象的地标性建筑。

申作伟

全国工程勘察设计大师山东大卫国际建筑设计有限公司董事长

Comments

The design adopts a well-balanced layout to achieve an appropriate functional division and rationalised traffic route. The flexible and adaptable interior space and scientifically arranged streamlines accommodate a variety of contemporary office needs. Its upright vertical lines and structural relationships of "creation,continuation, transition and unification" (qi cheng zhuan he) produce an architectural image resonant with the traditional pagoda. The introduction of the corner glass in the middle section of the building, the tiered design of the roof, and the circular shape of the spinning observatory hall all give the entire tower a dramatic upward rising quality assembling Gothic architecture.Symbolising the mountains, the treatment of the V-shaped, prismatic glass underneath the globe at the very rooftop further demonstrates the Neo-Art Deco style. The combination of solid and stable stones and crystal-clear glass represents the typical features of a modern financial institution.

The Linshang Bank Building is a landmark replete with East-West cultural imagery due to the meticulous attention to building materials and exquisite details, as well as the modern design techniques that integrate traditional Chinese philosophy with Western architectural aesthetics.(Translated by ZHU Yayun)