Anandaloy 大楼

作品类别 Category:绿色建筑设计 Green Building Design

获奖单位 Design Company:[德国 Germany] Studio Anna Heringer

Anandaloy 大楼设有残疾人治疗中心以及生产平价纺织品（Dipdii Textiles）的小型工作室。

The Anandaloy Building hosts a center for people with disabilities combined with a small studio for the production of fair textiles (Dipdii Textiles).

对于Studio Anna Heringer 而言，建筑设计是改善生活的工具。无论是在欧洲、亚洲还是非洲，所有项目均采用当地材料+当地能源（包括手工）+国际专业知识的综合策略。由于Anandaloy 项目主要采用当地农民提供的泥浆和竹子，因此最大的一部分预算是当地技工的投入。因此，该建筑不仅仅是一个结构，它已成为当地发展的真正催化剂。

For Studio Anna Heringer,architecture is a tool to improve lives.The strategy of all of the projects no matter if in European,Asian or African context is the use of local materials+local sources of energy (including manual labor)+global know-how.Because the Anandaloy project is mainly built out of mud and bamboo from local farmers,the biggest part of the budget was invested in local crafts(wo)men.Thus,the building is much more than just a structure,it became a real catalyst for local development.

该项目沉淀了楼陀罗布尔之前所有五个项目的学习过程，包括METI 学校。其他项目由德国监督，而该项目现场由孟加拉国承包商Montu Ram Shaw 和村里的泥竹工人团队管理，其中包括一些残疾人。Studio Anna Heringer 专业知识的传递则是其中的关键，该项目很好地证明了这样的知识现在已经真正扎根。

This project is the accumulation of the learning process of all the five previous projects in Rudrapur,including METI school.Unlike the other projects that were under German supervision,the site was managed by the Bangladeshi contractor,Montu Ram Shaw and the team of the mud and bamboo workers from the village,including some persons with disabilities.As for Studio Anna Heringer know-how transfer is key,this project is a great proof that the knowledge is now really rooted.

在孟加拉国，残疾常常被视为神明的惩罚和考验或者前世的报应，因此，残疾人过着非常隐蔽的生活，不被接纳。除此之外，贫穷迫使家庭的每个成年人工作糊口，大部分残疾人白天只能独居。孟加拉国很少有治疗残疾人的地方，而在楼陀罗布尔的农村地区则完全没有。

Often disabilities in Bangladesh are seen as a kind of punishment and challenge from God or bad Karma from a former life.Because of this they are rather hidden,than included.Besides this poverty forces every grownup member in the family to work and mostly people with disabilities are left on their own during the day.Places for therapy are rare in the country and not existing at all in that rural area of Rudrapur.

最初的设计是将Anandaloy 大楼仅用作治疗中心，但我们决定在大楼中再增加一层，为该村的女性裁缝设置工作室Dipdii Textiles。项目的这一部分由Studio Anna Heringer 联合发起和管理，目的是让女性在村里找到就业机会，这能够有效地对抗城乡迁移。项目的理念不仅是为残疾人提供治疗，而且要让他们有机会在该大楼里学习和工作并参与当地社区。每个人都渴望被需要的感觉。

In the beginning the building was planned as a therapy center only,but we were able to extend the building into another story,hosting Dipdii Textiles,a studio for the female tailors in the village.This part of the building’s programme is co-initiated and taking care by Studio Anna Heringer in order to allow women to find work in their villages.It is an effective counteract to the urban-rural migration.The concept was also not only to provide therapeutic treatment for the people with disabilities,but also provide them an opportunity to learn and work in that building and engage in the community there.Everybody wants to be needed.

一楼的大坡道是这种包容性的一个明显标志，它是那片较大区域内唯一的坡道。在施工期间，前来参观现场的很多当地访客都在讨论这个坡道。为什么会有这个坡道？为什么一定要让所有的健康或不健康的人都能无障碍通行？如何改善残疾人的生活？如何将包容性融入建筑之中？

该建筑的设计探索了泥浆的可塑性，创造出更强大的形象。例如，泥浆被认为是次于砖的劣质和老式材料。但对我们Studio Anna Heringer 来说，材料有多老并不重要，重要的是我们凭借自身的创意能力，以现代的方式使用老式材料。为了展示泥浆的美和能力，需要发挥出它的优点，而不仅仅是把它视为比砖块更便宜的替代版。我们采用特殊泥浆技术cob，不需要模板，可以像打造直形墙那样轻松地打造曲线。Anandaloy 大楼与该地区其他的矩形布局建筑物不同，它打破模型的束缚，展现舞动的曲线，坡道在其内部结构周围俏皮地蜿蜒。在象征层面上，这座建筑发出这样的信号：我们人类彼此不同，这很棒。欢快的曲线则进一步传递出这样的信息：多样性妙不可言！

As a visible sign of this inclusion a big ramp winds up the first floor.It is the only ramp in that larger area.Already during the construction,it has been topic of discussions amongst the many local visitors that are coming to see the site.What is the reason for that ramp? Why is it important to guarantee access to everyone,no matter if healthy or not? How can the lives of people with disabilities be improved? How can inclusion be incorporated?

The building`s architecture explores the plastic abilities of mud in order to create a stronger identity.Mud is regarded as poor and old-fashioned material and inferior to brick for example.But to us,Studio Anna Heringer,it doesn’t matter how old the material is,it is a matter of our creative ability to use it in a contemporary way.To show the beauty and capacity of mud,it is needed to bring out the best of it and not just to treat it as a cheaper version to brick.With that particular mud technique,called cob,no formwork is needed and curves are just as easy to be done than straight walls.Unlike the other buildings in that area that are erected in a rectangular layout,the Anandaloy Building breaks out of the mold.It dances in curves,the ramp winds playfully around its inner structure.On a symbolic level the building signals:it is great that we human beings are all different.With its joyful curves it radiates the message:diversity is wonderful!