英文目录

CONTENTS

The Research Topic on the Oral History of Tibetan Opera Artists of the Consciousness by Chinese Nation Community

A study on the oral history of Talo，the national non-hereditary inheritor of Sichuan gser rta Tibetan Opera……………………………………………………………………………………………………Yang Yuzhuo（4）

Study on the Tibetan Opera with Three Oral Interview of Namtar’s Inheritors………………………………Lina(13)

Performing artist of Gesar epic and Namtar Tibetan opera—a study on the Oral History of Gesang Gragspa's life…………………………………Sanggye Dondrub（23）

Musical

Listening with the Gods: Offering，Beauty，and Being in Tibetan Ritual Music…………………………………………………………………………Michael Monhart Zha xi Dong zhu（34）

Talk about the ritual song and dance Zheschen of Wangguo Festival in Kyigudrag Village……………………………………………………………………………………………Wang yue Gesang（40）

Research on Historical Materials of Tibetan Contemporary Red Music Culture…………………Liao Honggang（44）

World of Dancing

The dual cultural logic of performance: Continuation and Rebirth of minacham in Nyingchi，Tibet……………………………………………………………………………………………………Galu Sangmu（52）

Fine Arts

Research on the Main hall of Shimen Temple in Zhuoni County of Gansu Province…………………………………………………………………………………Namka Tsering Pema Tsering（59）

A Preliminary study on the Murals of Naven Lakhangcang in Xiangda Town，Nangchen County，Qinghai Province……………………………………………………………………………………………………Lian Mengyi（69）

Research on the Application of Tibetan Traditional Soft-clothing in the Perspective of Rural Cultural Revitalization………………………………………………………………………………………………Song Chunxia（79）

Study on the Lhasa Sweet-Tea-House Exhibition and its artists in the 1980s—A case study of Gonkar Gyatso………………………………………………………………Tashi Norbu（84）

Folk Culture

The Gold Masks Found in Shang Shung and the“Five supports of the Soul(rten Inga)”of the Bon Funerary Tradition……………………………………………………………………Samten G·Karmay Gongqiu Zeren（89）

Anthropological interpretation of a U-Tsang Wedding Rituals Manuscripts………………………………………………………………………………………………RinChen Kyid（94）

Textual Records and Folklore of "Tibetan Bowls" in the Tibetan Historical Collection History of sino-tibetan Interpretation of Image Application…………………………………………………………………Tsetan bum（101）

Movie and TV Media

The Historical Proof and Cultural Reflection: the Narrative Evolution of Films Relating to Zang Nationality Under the Sense of Community for the Chinese Nation………………………………………………………Xu Shuang(108)

From behind the scenes to in front of the stage: The transformation and challenges faced by Tibetan anchors in the era of convergence media…………………………………………………………………………Dawa Yuzhen(115)

On the Title Translation of Tibetan Movies from the Perspective of Eco-translatology………Kal sang Tse ten(122)

English Catalog…………………………………………………………………………………Wu Jin Jia Can（128）