位于纳什雕塑中心的安•维罗尼卡•詹森斯展馆美国德州达拉斯市

业主单位：纳什雕塑中心

设计团队：Yen Ong,Paul Merrill,Lauren Cadieux

合作单位：安·维罗尼卡·詹森斯

项目面积：80 平方米

项目竣工：2016 年

项目摄影：纳什雕塑中心

Client:Nasher Sculpture Center

Design architect/design team:Yen Ong,Paul Merrill,Lauren Cadieux

Collaborators/consultants:Ann Veronica Janssens

Size:80 sqm

Year of completion:2016

Photographer:Nasher Sculpture Center (Photographer:Kevin Todora)

在比利时艺术家安·维罗尼卡·詹森斯的首次美国个人展馆展示中，五人设计工作室与其合作打造了一个独特的特定场地展馆。在过去的三十年里，该艺术家以光线艺术家的身份家喻户晓，她利用科学研究并借助投影、烟雾和其他材料来打造能够提高观众对自己和周围环境的感知的体验。

安·维罗尼卡·詹森斯对体验的塑造取决于建筑，她还经常打造一些环境，并在这些环境中通过改变空间内部的光线寻找科学的眼睛适应方案。

在由伦佐·皮亚诺设计的纳西尔雕塑中心的庭园里，五人设计工作室与詹森斯合作打造了一个独立的展馆，并取名“蓝红黄”。我们在构筑物的聚碳酸酯外壁板上使用了这三种颜色，而内部则以人造烟雾充斥。这些浓雾彰显了艺术家对于光线雕塑结构的浓厚兴趣。Janssens表示：凝视烟雾是一种具有对比效果的体验。烟雾似乎消除了所有障碍、物质性、特定于给定背景的阻力，而且似乎赋予光以物质性和触感。

当参观者穿过展馆时，他们可以体验不断变化的视角，这些视角有时会使他们完全迷失方向。当光线穿过墙壁和天花板时，雾气之中熠熠生辉，并随着参观者的走动和外界光线的变化而变化。

该项目于2016年在纳西尔雕塑中心展出，根据快速的设计与施工计划完工。为了最大程度地减少边缘四周的装饰细部，打造一个更加纯粹的空间，使构筑物与烟雾似乎融为一体，并提升参观者的室内体验，我们选择聚碳酸酯作为表面材料。

For the first solo museum presentation in the United States of work by Belgian artist Ann Veronica Janssens,5G worked with the artist to create a unique site-specific pavilion.Over the last three decades,the artist has become best known as a light artist,drawing on scientific research and working with projections,fog,and other materials to create experiences that heighten viewers’ perceptions of themselves and their surroundings.

The artist’s shaping of experience is contingent on architecture,and she often creates environments in which she can test the science of the eye with the manipulation of light within a space.

Sited in the garden of the Nasher Sculpture Center,designed by Renzo Piano,we collaborated with Janssens to create a freestanding pavilion,titled Blue,Red and Yellow.The three colors were applied to the polycarbonate exterior panels of the structure,while the interior was filled with artificial fog.This thick haze highlighted the artist’s interest in giving sculptural form to light.She describes,“Gazing at mist is an experience with contrasting effects.It appears to abolish all obstacles,materiality,the resistances specific to a given context,and at the same time,it seems to impart a materiality and tactility to light.”

As visitors moved through the pavilion,they experienced continuously shifting perspectives,which at times resulted in profound disorientation;as light passed through the walls and ceilings,the fog became radiantly suffused with their colors,changing with the movement of the viewer and shifting with the light of the sky.

The project was on view at the Nasher Sculpture Center in 2016,and the structure was completed on a rapid design and construction schedule.Polycarbonate was selected as the exterior material to minimize detailing around the edges,shaping a more pure space in itself,and allowing the structure to seemingly dissolve with the fog,and elevating the interior experience for visitors.

Artwork Credits:Ann Veronica Janssens;Blue,Red,and Yellow,2001 Steel,wood,polycarbonate,red,blue and yellow films,fog machine,Approx.137 ¾ x 354 3/8 x 177 1/8 in.(350 x 900 x 450 cm);Courtesy WIELS,Brussels