达达主义

作品类别 Category:娱乐空间设计 Recreational Space Design

获奖者 Designer:[中国 China] 邵龙 Shao Long

本案设计师的灵感来自于洞穴，在预算极其有限的情况下舍弃GRG，洞穴的搭建是项目施工的难点之一，设计师需先用rhino 建构虚拟模型后，将形体的三维数据通过CAD 分割曲面，再由工人现场制作完成，在形体曲面背侧，施工人员沿曲线环向和径向搭建框架悬吊固定这些版块，最后完成形体构建。

Inspired by caves,the designer abandoned GRG as the budget was very limited.Cave construction was a challenge of the project.The designer used Rhino to construct a virtual model and CAD to carve out curvatures from the 3D data of the shape.The curvatures were then made by workers on site.On the backs of the curvatures,they built frames circumferentially and radially along the curves to fix the blocks.The shape was finally brought into reality.

无序创造有序，有序被无序打破。表演艺术解构了时间，空间，材质及能量的关系，空间是舞台也是行为，设计师摈弃对空间的文化注入，将即兴的创作方式尽兴演绎。空间与思绪共舞，而身与空间的所有人，都被邀请参与了这场演出，从而形成规律与自由并存的动态秩序。最初为解决内部两层结构引致的层高局限，设计师选择局部搭建的形态，从而丰富了空间视角，将空间形态二次演绎。

Disorder creates order and order is broken by disorder.Performance art deconstructs the relationships among time,space,materials and energy.Space is both a stage and a behavior.Instead of injecting cultural elements into space,the designer gives full play to impromptu creation.While space interacts with thinking,everyone in the space is invited to partake in the performance,thus forming a dynamic order with both regulation and freedom.To counter the floor height limit caused by the two-floor structure at the beginning,the designer chose a form of local structure.It enriches spatial perspectives and gives a fresh look to the spatial formation.

设计是一个兼具感性与理性的思考过程，将最初在脑海中抽象的甚至是模糊的画面放到空间中思考，突破已有的认知局限，逐渐清晰地构筑出一个完整真实的画面。通过对传统工艺的探索，在审慎的修饰下寻找秩序，使物质与感官彼此呼应产生共鸣。入口处，中间断开的缝隙由“峡谷”引申而来，如同岩壁上的沟壑，营造了从峡谷走进洞穴的新奇体验，直到通过狭窄的裂缝看到所有的事物，在已知和未知的两端，打开自我的感知之门。

Design is a thinking process that is both emotional and rational.The designer takes the abstract and even blurred image out of his mind into the space,breaks through the boundary of his knowledge,and gradually constructs a complete and authentic image.By exploring traditional techniques,the designer seeks order in prudent decoration to achieve material and sensory resonance.At the entrance,the crack in the middle is inspired from “canyons”.Like ditches on rock faces,it creates a novel experience of entering a cave.From the end of “unknown” to that of “known”,the user passes the narrow crack,sees everything and opens the door to self-perception.

设计在方法、材料层面拆解重组，通过传统材质的应用，赋予旧元素以全新的语言，制造不同的空间体验，形体表面的传统金属漆带来的视觉冲击，被极大地释放，以不同曲面，巧妙的分隔空间，从堆叠、围合形态到色彩，在有序中赋予变化。

The design seeks to break down and reorganize elements at methodological and material levels.Through the application of traditional materials,a new language is given to old elements to create different spatial experience.The visual impact is dramatically unleashed from the traditional metal paint coating the surface of the shape.Varied curvatures partition space in a smart way.From shapes such as stacking and enclosure to colors,changes are allowed amid an orderly arrangement.