Zhang Shuangjun serves for the Automatization Institute of Chinese Academy of Science. He has the Senior Artist title, and has spent decades on the integration of oil colors and Chinese freehand brush works. He dedicated himself to the innovation and development of Chinese paintings. It is human nature to prefer colorful images on the painting. From black and white to the colorful, Chinese freehand brush painting must solve the color problem. Only black and white chills the audience. The emotional communications between artworks and the audience shall be enhanced by color; the ability to communicate in artworks is also the watershed dividing techniques and arts.
張双军,字心渺,高级美术职称。中国科学院自动化所职工。研究油画色彩与中国写意画之中西合壁法所产生的艺术形式几十载。致力于研究探讨中国画的创新与发展。
中国写意画无论山水、人物、花卉,必须解决色彩。人类的审美取向总是向色彩丰富、赏心悦目发展的,这是人类的本性。摄影、电影、电视、服装、建筑等的发展也是由黑白到色彩,这是必然规律。技术与艺术的分水岭在于艺术能感动观者,与之有情感的交流互动。单调的黑白只能使人感到冷寂。