传承创新，合作共赢—— 中国文联澳门舞台艺术人才赴韩国访学交流

文、图刘怀彦

团员在贞洞剧场进行现场教学Team members conduct on-site teaching at the Chongdong Theater

“在这三年的访学活动中，我是唯一一个参加全部访学的团员。经过三年的学习交流，我不能只用‘获益良多’这四个字形容，因为于我而言，访学交流活动让我在思想、理念和实践等方面都受到了前所未有的启发和领悟。无论是在北京、成都还是首尔，每个老师和艺术团体都给予了我养分，激励我在艺术这条路上继续前进。”6月30日，来自澳门的舞蹈工作者邓咏华在“传承与创新：2018中国文联澳门舞台艺术人才赴韩国访学交流活动”的结业式上，作为团员代表饱含深情地讲述了自己与澳门系列访学交流活动的故事。

6月19日至6月30日，“传承与创新：2018中国文联澳门舞台艺术人才赴韩国访学交流活动”（以下简称“澳门四期”）在韩国首尔举办，这是澳门艺术人才系列活动首次在国外举办的访学交流活动。

澳门四期共有14位团员，他们都是中国文联文艺研修院的澳门班校友，全部参加过往期澳门艺术人才系列活动。他们分别来自话剧、曲艺、音乐、舞蹈和影视等各舞台艺术领域。

澳门四期在韩国首尔的访学交流活动历时12天，有6次授课式教学，其中包括4次理论教学和两次案例研讨，9次现场教学，1次机构考察，1次团员论坛，1次分组讨论和1次联欢活动。在12天的访学交流里，团员们了解到韩国传统舞蹈的传承以及在年轻群体中推广传播的方法，走访了与澳门舞台艺术团体规模类似的韩国中小型艺术团体，前往韩国戏剧协会、韩国小剧场协会和韩国艺术家福利财团等为艺术家提供服务和福利的机构进行现场教学。形式多样的日程安排搭建起了澳门与韩国舞台艺术领域相互学习借鉴、沟通交流、合作共建的平台。团员论坛、小组讨论和联欢活动则为团员们提供了思维碰撞、成果转化和情感交流的渠道。

“我们应该奋起直追”

澳门四期延续“传承与创新”这一主题，并将主题融入访学的授课内容和教学方式安排。不论在课堂上还是在艺术机构里，团员们都会围绕“传承与创新”与韩国舞台艺术领域的教授和艺术工作者展开充分的讨论。此次赴韩举办的访学交流则是澳门艺术人才访学形式上的一次创新，即让澳门艺术人才在异国的文化艺术氛围中学习和思考。澳门晓角话剧研进社艺术总监、澳门四期团员许国权说：“此次赴韩国访学交流，看到了一些在澳门没有的艺术团体和机构，这让我开始思考未来在澳门能否同样发展类似的机构，为澳门艺术家的发展提供便利。同样，韩国艺术工作者的毅力和意志激励着我在未来继续前进，做得更好！”

澳门艺术人才首次赴国外访学交流，选择的国家为韩国，主要考虑两点因素：一是澳门和韩国同属东亚文化圈，在文化艺术发展方面有着许多共同点；二是韩国舞台艺术领域发展具有明显的经验优势，其发展值得深入学习和了解。在澳门四期筹备期间，项目组邀请团员针对日程安排提出自己的实际需求，最终经过多次修改将日程安排调至最佳。澳门晓角话剧研进社社员、澳门四期团员陈诗琪表示：“专家授课让我们对韩国的艺术情况有了初步的了解，之后进行的现场教学与上课内容都有关联，且现场教学安排了不同性质、不同定位及在韩国文艺界发挥不同功能的艺术机构和单位，为我们较为全面地呈现了韩国文艺的发展现状。”承舞纪·澳门舞蹈团理事江欣仪也认为：“此次赴韩的所学所获，都可以让澳门艺术工作者进行借鉴与参考，从而用来探索澳门文化艺术未来发展的诸多可能性。”

澳门卓剧场艺术会艺术总监、澳门四期团员胡美宝表示：“此次访学交流的日程安排，涵盖了舞台艺术及文化产业发展的多个方面。通过听课和访问不同的机构，理论知识与经验相结合，让知识变得更为具体。特别是在文化艺术的市场开拓、艺术家福利保障、文化软实力的提升及国际形象的塑造等方面，我收获了很多知识与经验，获益匪浅。”

澳门四期团员因皆为往届校友，继续选择参加此次访学交流，他们对艺术执着的追求和自身发展的重视可见一斑。访学期间，团员们学风端正，态度积极。除了接受新鲜的知识外，团员们还相互分享自己所在艺术领域的发展情况，彼此交流遇到的挑战和困难。澳门振华声粤艺会会长、澳门四期团员朱振华说：“此次访学交流让我深深地感受到韩国文化艺术正在大胆创新、追赶潮流、与科技相结合，融入国际市场，澳门的艺术同仁们应该奋起直追。”

“做远”“做深”“做精”“做优”

从2016年起，由中国文联港澳台办公室、澳门基金会、中国文学艺术基金会和中国文联文艺研修院联合主办的以“传承与创新”为主题，面向澳门艺术人才的访学活动，已经连续在国内举办了三年。对澳门艺术人才的发展，中国文联文艺研修院希望在前期合作的基础上，延伸和推广“传承与创新”这一澳门艺术人才访学交流活动的品牌，在“做远”“做深”“做精”“做优”上下功夫。

做“远”——创新完善民间对港澳台文化交流机制，服务国家对港澳台整体战略。根据澳门艺术人才的反馈与期望，希望未来针对澳门艺术家在国内外举办一系列访学、培训、交流、合作等活动，并以澳门为起点，创新完善民间对港澳台文化交流机制，更好地服务于国家对港澳台的整体战略。

做“精”——归纳总结往期经验，针对澳门优秀艺术人才开设精品班，形成示范效应，出精品，出效益。下一步希望为有情怀、有追求、有潜力的澳门校友，通过精品班的形式开展研修培训，在跨界融合的基础上增强专业领域的学习交流，最终以铸梦计划的形式汇总学习成果，推动研修成果出精品，出效益。

做“深”——建立中长期澳门艺术人才培养计划，着力于澳门文艺人才队伍建设的深度。希望将澳门艺术人才的中长期培养计划继续做得扎实、深入，继续通过跨界研修培训，为不同领域的澳门艺术人才搭建跨领域、多层次的研修平台，建立澳门艺术人才与内地和国际艺术家、艺术机构合作交流的纽带；利用已有的资源和平台更好地推动澳门文艺人才队伍建设，让澳门艺术人才与内地艺术人才共同为中华文化的繁荣发展贡献力量。

做“优”——提升澳门文艺人才创作成果质量，加强成果推广与转化。进一步为澳门艺术人才成长成才延伸服务手臂，利用中国文联文艺研修院“铸梦计划”“携手铸梦”等品牌项目，为澳门艺术人才提供展览、演出等形式多样、互助互利的成果展示和转化平台，进一步团结凝聚澳门文艺人才，从而推动澳门文艺人才队伍出精品、出人才。

在访学最后一天的联欢活动上，澳门四期团员纷纷展示了自己的才艺，并通过访学花絮视频和游戏等再现了澳门四期在韩国的学习与生活。在回国的飞机上，团员们还在围绕课程论文继续讨论着。从澳门到北京，从北京到甘肃、四川，从国内到国外，三年的访学交流为澳门艺术家提供了与内地、与国际的交流平台，也将澳门本地的艺术家更紧密地联系在一起。不少团员都在社交网站写下：“期待来年再见”。

现场教学后，团员在韩国DIDIMDOL话剧团排练室与剧团理事长李钟民合影留念After the on-site teaching,all members took a group photo with Lee jong-min,the director of the theater group,in the rehearsal room of the Korean DIDIMDOL Drama Troupe

联欢会上，澳门四期团员、澳门振华声粤艺会会长朱振华表演粤剧《帝女花》At the party,ZHU Zhenhua,the fourth-session member of the Macau team and the chairman of the Macau Zhenhua Shengyue Art Association,performs the Cantonese opera Emperor Flower

"In the past three-year long academic exchanges,I was the only member who participated through the whole event.After such a studying and exchanging process,I can't just use the words 'benefit',because I think,as for me,the event has enabled me to be inspired and comprehended in terms of thoughts,ideas and practices.Whether in Beijing,Chengdu or Seoul,each tutor and art group has given me nutrients,inspiring me to carry on the road of art." On June 30th,DENG Yonghua,a dancer from Macao,as the representative of all group members told about the story of her own exchanges with Macao series with passion at the graduation ceremony of Inheritance & Innovation: 2018 Art Talents of Macao Stage of CLFAC Visit South Korea for Academic Exchanges.

From June 19thto 30th,the Inheritance & Innovation: 2018 Art Talents of Macao Stage of CLFAC Visit South Korea for Academic Exchanges (Hereinafter referred to as "Macau 4-phase") has been held in Seoul,South Korea,marking the first activity of such academic exchanges of the serial event of art talents of Macao held overseas.

The total 14 members of Macau 4-phase are alumni of Macau class under the training institute of CLFAC.All of them have participated in the previous serial events of Art Talents of Macao.And they are from such diversified stage art fields as drama,folk art,music,dance and film.

The Macao 4-phase visit in Seoul of South Korea lasted 12 days,showcasing 6 lecture-based teachings,including 4 theoretical teachings and 2 case studies; 9 on-site teachings,1 institutional inspection,1 forum for members,1 sub-group discussion and 1 party event.During the 12-day visit,the members have learned about the heritage of Korean traditional dance and how to promote it among young people.They have also visited small and medium-sized art groups in South Korea,which were similar to those of the Macao stage art groups,and been to the Korean Theatre Association and South Korea Little Theatre Association and the Korean Artists Welfare Foundation amongst other institutions providing services and benefits to artists for on-site education.The various forms of schedules have established a platform for mutual learning,communication,and cooperation between Macao and Korean stage art.The group members'forums,group discussions and party activities have also provided the members with channels for thoughts collision,achievement transformation and emotional communication.

We Should Catch Up

团员与春川哑剧节运营委员会策划部主管李钟晧交流Members exchange with LI Zhonghao,director of the Planning Department of the Chuncheon Mime Festival Operation Committee.

Continuing the theme of "Inheritance and Innovation",the Macao 4-phase has incorporated the theme into the content of the lectures and teaching methods.Whether in classroom or art institutions,the members have conducted a full discussion with professors and artists in the field of stage art in South Korea concerning the "Inheritance and Innovation ".The academic visit to South Korea is an innovation in the form of Macao art talents'initiative,which means that Macao art talents could learn and think in the cultural and artistic atmosphere of foreign countries.XU Guoquan,artistic director of Macau Xiaojiao Drama Research Institute and member of the Macao 4-phase,said: "We have found some art groups and institutions that are not available in Macau from this visit in South Korea,which makes me to think about if we could establish similar organizations to facilitate the development of Macao artists.Similarly,the perseverance and strong will of South Korean artists motivate me to move forward and do better in the future!"

The selecting country as South Korea of the first overseas academic visit of art talents from Macao is mainly due to two aspects.Firstly,Macau and South Korea,both in the East Asian cultural circle,share much similarity in the development of culture and art.Secondly,the development of the stage art in South Korea has obvious experience advantages,and its development deserves in-depth study and understanding.During the preparations for the Macao 4-phase,the project team has invited the members to present their individual needs for the schedule,and finally adjusted the schedule to the best after repeated revisions.CHEN Shiqi,a member of the Macau Xiaojiao Drama Research Institute and the member of the Macao 4-phase,commented: "The lessons provided by experts have provided us with a preliminary understanding of the art situation in South Korea.The on-site teaching afterwards and the content of the classes were quite related,and the on-site teaching arrangements were quite diversified in terms of the nature,positioning and artistic institutions and companies that play different functions in the South Korean literary and art circles,giving us a more comprehensive landscape of the development status of literature and art in South Korea." JIANG Xinyi,director of the CHENG WU JI · Macau Dance Troupe,said: "The learning experience in South Korea this time can be used by Macao artists for references so as to explore the possibilities of the future development of Macao's culture and art."

HU Meibao,Artistic Director of Art Society of the Macau Dirks Theatre and member of the Macao 4-phase,said: "The schedule of the academic visits covers various aspects of the development of the stage art and cultural industries.Through attending classes and visiting different institutions,combination of theoretical knowledge and experience,it makes knowledge more specific.Especially in terms of the market development of culture and art,the welfare guarantee of artists,improvement of cultural soft power and the shaping of international image amongst others,I have gained a lot of knowledge and experience."

As all the members of the Macao 4-phase are alumni of previous sessions,who continue to participate in the academic exchanges,they have cast great attention to the pursuit of art and their own development.During the visit,the members of the team were well-disciplined with and positive attitude.In addition to accepting fresh knowledge,they also shared their developments in the art field,and the challenges and difficulties in exchanges.ZHU Zhenhua,president of the Macau Zhenhua Shengyue Art Association and member of the Macao 4-phase,said: "This academic visit has made us deeply feel that the culture and art in South Korea are undergoing bold innovation,pursuit of trend,combination with technology and integration with the international markets,all colleagues of art in Macao,we all should catch up now."

"Longer" "Deeper" "More Exquisite" "Better"

The academic visit facing art talents from Macao with the theme of Inheritance & Innovation is jointly organized by Hong Kong,Macao and Taiwan Office under CLFAC,Macao Foundation,China Literature and Art Foundation and Art Study Institute of CLFAC.The event has been held for three years domestically.For the development of Macao art talents,the Art Study Institute of CLFAC hopes,on the basis of precooperation,to extend and promote the brand of "Inheritance and Innovation",a Macao art talents visiting and exchange activity,with more endeavors in terms of "Longer" " Deeper""Much Exquisite" and "Better".

"Longer"--- Innovate and improve the civil cultural exchange mechanism for Hong Kong,Macao and Taiwan,and serve the country's overall strategy for Hong Kong,Macao and Taiwan.Based upon the feedback and expectations of Macao art talents,it is hoped that a series of visits,trainings,exchanges and cooperation activities at home and abroad shall be held for Macao artists,and take Macao as a starting point to innovate and improve the cultural exchange mechanism between the civil perspective and Hong Kong,Macao and Taiwan with purpose of better serve the country's overall strategy for Hong Kong,Macao and Taiwan.

"More Exquisite"--- Inductively sum up the past experience,set up high-end classes for Macao's outstanding artistic talents to form a demonstration effect with quality products and revenue.For the next step,it is hoped that Macao alumni with deeper sentiment,pursuit and potentials shall carry out trainings in form of high-end classes,enhance the learning exchanges in the professional field on the basis of cross-border integration,and finally summarize the studying achievement in the form of a dream planning project,promoting the results of the training with quality products and revenue.

"Deeper"--- Establish a medium- and long-term Macao art talent training program,focusing on the depth of the construction of the Macao artistic talent teams.It is hoped that the medium and long-term training plan for Macao art talents will remain solid and in-depth,and continue to build cross-disciplinary and multi-level training platforms for Macao art talents in different fields through cross-border trainings,and establish the links of cooperation and exchanges between Macao artistic talents,the international artists and art institutions; utilize existing resources and platforms to better promote the construction of Macao's artistic talents' teams,and let art talents and their mainland counterparts jointly contribute to the prosperity and development of Chinese culture.

"Better"--- Enhance the quality of the achievements of Macao literary and artistic talents,and strengthen the promotion and transformation of pertinent achievements,further extending the service arms for the development of Macao art talents,using the brand projects of Arts Training Institute of CFLAC as"Plan of Fairytales" and "Joining Hands for Dreams" to provide Macao art talents with the supportive platforms of achievement presentation and transformation through forms of exhibition and performances,further uniting the art talents of Macao so as to promote the outstanding products and talents from the teams of such artistic groups.

On the last day of the visit,the members of the Macau 4-phase have shown their talents on the celebrating gala,and recreated the study and life of the fourth phase of Macau in South Korea through video and games about the highlights of academic visits.On the returning plane,the members continued to discuss the dissertations around the courses.From Macao to Beijing,from Beijing to Gansu,Sichuan,and from home to abroad,the three-year academic visits have provided Macao artists with a platform for exchanges with the mainland and the world at large,and also brought local artists of Macao much closer.Many members of the group noted on their social network pages: "Looking forward to seeing you next year."