联通中外古今认识我们自己——记第九届海峡两岸暨港澳地区艺术论坛

文本刊记者 蒲波 Pu Bo 译曹宇光Cao Yuguang 图片由中国文联文艺评论中心提供

嘉宾与专家学者合影Group Photo of Distinguished Guests and Experts

第九届海峡两岸暨港澳地区艺术论坛于8月22日至24日在哈尔滨举行。此次论坛由中国文联、中国文艺评论家协会、黑龙江省文联主办，以“文艺评论与中华文艺的创新发展”为主题，涉及文学、戏剧、音乐、美术、曲艺、舞蹈、民间文艺、书法、杂技、电视等多个艺术门类。来自海峡两岸暨港澳地区的专家学者围绕文艺评论与文化立场、文艺评论与中华文化传统、文艺评论与中华文化传播、文艺评论与中华文化复兴、文艺评论与网络文艺发展等议题，通过大会演讲、分论坛等形式畅所欲言，各抒己见，共同为当代中华文化艺术的繁荣与发展建言献策。

中国文联副主席郭运德、陈振濂，中国文联荣誉委员刘国松、施子清，澳门基金会行政委员会主席吴志良，黑龙江省委宣传部副部长田文媛，黑龙江省文联主席傅道彬，中央驻香港联络办宣文部副部长朱挺，中国文联、文化部、中央驻香港联络办、中央驻澳门联络办有关部室和香港民政事务局负责人以及海峡两岸暨港澳地区的80多位知名文艺评论家、文艺家和专家学者出席论坛开幕式等相关活动。

郭运德在开幕式上致辞。他说，海峡两岸暨港澳地区艺术论坛在加强和扩展海峡两岸暨港澳地区文艺领域沟通协作、积极探索中华文艺发展规律、增强民族文化自豪感和自信心、推动中华艺术走向世界等方面产生了积极影响，发挥了有益作用。论坛不仅成为海峡两岸暨港澳地区专家艺术家交流艺术创作、深化理论研究与评论的学术平台，更成为大家建立情感与友谊、凝聚共识与愿景的重要纽带。本届论坛的主题“文艺评论与中华文艺的创新发展”，这是全球化语境下面对新的时代挑战，如何阐述、激活、传承中华传统文化，推动中华文艺创新发展的热点话题，也是文化学术研究和文艺理论评论事业发展面临的前沿性课题。

郭运德表示，当前，中华民族正在走向伟大的复兴。我们要推动中华文化的繁荣发展，必须在两个方面做足功课：一方面，必须追寻历史，深入阐释中华文化的历史渊源、发展脉络和基本走向，深入阐释中华文化的独特创造、价值理念和鲜明特色，坚守中华文化立场，传承中华文化基因，充分发挥中华文化的价值引领能力；另一方面，必须立足现实，从传统文化资源宝库中汲取更加丰厚的养分，并将之与社会实践和时代要求结合起来，做出更具普适性的文化表达，进行更符合时代潮流的文化创造，努力推出更多的具有丰厚历史底蕴、展示当代中国风貌、体现人类共同命运和审美价值且又能在世界文化园地占有重要位置的标志性文化产品。

田文媛说，本次论坛为推进海峡两岸暨港澳地区的文化艺术交流搭建了新的平台，也为黑龙江省的文艺工作和文艺工作者开阔了视野、创造了机遇。文化交流是一把开启心灵的金钥匙，能让不同文化背景甚至不同意识形态的人互相理解、彼此欣赏。希望此次论坛能够多出成果，并以此推动文艺评论事业蓬勃开展、推动中华文化繁荣兴盛。

在论坛上，傅道彬、毛俊辉、朱寿桐、蒋述卓、汪威江、宋生贵、张志庆分别就“文学批评的思想家原则”“从世界传统表演艺术说起”“文学的批评本体与文艺批评的文体间性”“当代文艺评论应自觉与文化传统构成一种对话关系”“电视节目在两岸关系中扮演的角色”“中国当代艺术批评：增强融入少数民族文化资源的学理自觉”“文化传承与国家形象塑造”分享他们的研究心得与成果。

8月23日，汪涌豪、刘国松、杨春棠、张泽珣、金浩、于文秀、钟明德、卢伟力分别就“亟待开显的汉语性”“中国水墨文艺复兴”“白瓷盒与博物馆”“文化的跨时空交流——古丝绸之路上的龟兹石窟彩塑艺术”“中国古典舞蹈的当代审美鉴赏”“物化时代的文学生存——70后、80后女作家创作论”“从艺乘到身体剧场：陶冶提供了一个讨论‘垂直性’的空间”“戏剧分析的中国学派问题”等主题与与会专家进行深入交流。

8月24日，各艺术领域专家就相关议题进行分组讨论。与会专家放眼世界艺术发展，立足中国文化立场，从各自所熟悉的领域出发，站在中华文艺复兴的高度审视和探讨文艺评论与中华文艺的创新发展，真切地表达了他们对中华优秀文化艺术传统深沉的爱和无悔的追求。中国文联文艺评论中心副主任周由强作论坛总结，他认为本届论坛取得的最重要的成果，是就文艺评论与中华文艺发展创新，形成了不少共识，为今后一起继续探讨中华文艺发展打下了良好的思想情感基础。这些共识归纳起来，就是一句话：“联通中外古今，认识我们自己！”

From August 22 till 24, the 9thChinese Art Forum of Mainland, Hong Kong, Macao and Taiwan was held at Harbin. Jointly sponsored by CFLAC, China Literary and Art Critics Association (CLACA) and Heilongjiang Federation of Literary and Art Circles (HFLAC), this Forum, under the theme of “Literary and Art Criticism and Innovative Development of Chinese Literature and Arts”, involves various art disciplines such as literature, theatre, music, fine arts, Quyi, dance, folk arts, calligraphy, acrobatics and TV art. Focusing on such themes as the relationship of literary and art criticism with cultural standing, Chinese cultural tradition, dissemination and rejuvenation, and online literary and art development, experts and scholars from Mainland, Hong Kong, Macao and Taiwan gathered to share their viewpoints through keynote speeches and group discussion so as to make their own contribution to the prosperity of contemporary Chinese culture and arts.

Distinguished guests such as GUO Yunde and CHEN Zhenlian,vice presidents of CFLAC, LIU Guosong and SHI Ziqing, honorary member of the 10thNational Committee of CFLAC, WU Zhiliang,president of Macao Foundation, Tian Wenyuan, deputy director general of Publicity Department of Heilongjiang CPC Committee,FU Daobin, president of HFLAC and ZHU Ting, deputy director general of Publicity and Culture Department of Central Liaison Office in Hong Kong attended the opening ceremony and other events, along with the representatives from CFLAC, Ministry of Culture, Central Liaison Offices in Hong Kong and Macao as well as over 80 well-known experts, scholars, critics and artists.

GUO Yunde delivered a speech at the opening ceremony. As he expressed, in the respect of strengthening communication and coordination in literature and arts across the Straits and between Mainland, Hong Kong and Macao, exploring development principle of Chinese literature and arts, enhancing national pride and self-confidence in culture and promoting Chinese arts into the world arena, this Forum has played a positive role and exerted a beneficial impact. This Forum has become not only an academic platform to exchange artistic creation experience and deepen theoretic research and criticism among experts from different localities of China, but also an important bond to achieve friendship, consensus and common vision. In the context of globalization and in face of new challenges, how to elaborate, revitalize and inherit the traditional Chinese culture,and promote the innovative development of Chinese culture and arts, just as the theme of this Forum indicates, has become a hot issue as well as a pioneering topic in the development course of academic research in culture as well as literary and art criticism.As GUO Yunde stressed, Chinese nation is heading for a great revival and sufficient efforts must be made in the following two fronts so as to ensure the prosperity of Chinese culture. First of all, history must be retrieved to provide a profound elaboration of historical origin, development sequence and tendency, unique creation, values concepts and distinct characters of Chinese culture, to hold fast to the fundamental standing and gene of Chinese culture, and to bring the values of guidance of Chinese culture into full play. On the other hand, the current reality is the very starting point. More nutrition must be absorbed from the traditional treasure of culture and in combination of social practice and times requirement, then conveyed in a universal way.Those cultural creations in times fashion must be realized so as to come up with some milestone Chinese cultural products with in-depth historical connotation, contemporary Chinese expressions, common concerns and aesthetic of humankinds manifestation and significant positions in the global cultural arena.

论坛现场Scene of the Forum

郭动德致辞Guo Yunde delivered speech

As TIAN Wenyuan mentioned in her speech, this Forum has established a new platform for cultural and art exchange between Mainland, Hong Kong, Macao and Taiwan as well as broadened vision and provided opportunities for literary and art workers and their cause in Heilongjiang Province. Exchange and mutual reference, as a key motivation for human progress as well as world peace and development, lead to the colorful brilliance of human civilization. As a golden key to open heart and mind,cultural exchange will bring people of different cultural backgrounds and ideologies into mutual understanding and appreciation. More achievement is expected from this Forum so as to facilitate a rapid development of Chinese literary and art criticism cause, and promote the prosperity of Chinese culture.

At this Forum, FU Daobin, MAO Junhui, ZHU Shoutong, JIANG Shuzhuo,WANG Weijiang, SONG Shenggui and ZHANG Zhiqing shared with each other their research achievement on the following topics: “Thinking Principle of Literary Criticism”, “Starting Elaboration from the Traditional-World Performing Arts”, “Relationship of Literary Criticism Subjects and Critical Essay Types”, “Expected Dialogue of Contemporary Literary and Art Criticism and Cultural Tradition”, “The Role of TV Programs in the Relationship across the Straits”, “Contemporary Art Criticism in China: Self-Awareness of Cultural Resources of Minority Nationality to Be Enhanced”and “Cultural Inheritance and National Image Establishment”.

On August 23, such experts as WANG Yonghao, LIU Guosong, YANG Chuntang, ZHANG Zexun, JIN Hao, YU Wenxiu, ZHONG Mingde and LU Weili respectively conducted an in-depth exchanges concerning the following topics: “Necessity of Criticism of Chinese Style”, “Renaissance of Chinese Ink and Brush Art”, “White Porcelain Box and Museum”, “Cultural Exchange across Time and Space—Colorful Sculpture Art of Guizi Grotto at Ancient Silk Road”, “Contemporary Aesthetic Appreciation of Chinese Classical Dance”, “Literary Survival in Material Age—Creation Theory of Women Writers Born in the 1970s and 1980s”, “From Artistry to Body Theatre: TAO Ye Provides for Discussion of ‘Verticality’” and “The Question of Chinese Schools in Theatre Analysis”.

On August 24, starting from their familiar domains and their pride in Chinese culture ,and in full expectation for Chinese cultural and art rejuvenation, all the participants realized serious observations and discussions about the innovative development of literary and art criticism and Chinese culture from the global perspective, and conveyed their profound love and persistent pursuit of traditional Chinese culture and arts. As ZHOU Youqiang, deputy director general of Literary and Art Criticism Center of CFLAC summarized, concerning the main theme, plenty of consensuses have been achieved so as to lay a sound foundation of fraternity for the ongoing discussion of Chinese cultural and art development, which is absolutely the most important outcome of this Forum. In a word, we all need to find self-recognition through communication across time and space.