维也纳艺术馆，维也纳，奥地利

变形记。当飞机起飞后，它在空中的密封状态将因机身插入和穿透云层得到加强。正如艺术本身，这个为艺术而设计的空间既脱离于这个世界，又仍属于这个世界；它自环境中飘然离去，又依旧占据着空间。利用疏离与显现、接近与分离作为感知的理想视差，能让人们理解空间。

形式由功能决定。通过使用一种空间的形式所获得的感知不一定能反映其功能价值。在任何情况下，功能也同样是形式，是一种由（社会的和文化的）气候发展而来的功能模式。并且由此，在某种程度上，从内容具有的形式中衍生出了它的实际效果。因此，从不同的角度看，建筑既是容器也是关系：它们不仅根据一种具体特征限定了一个内部空间，且在另一方面，也限定了外部的空间。这意味着内部与外部是具有不同“张力”的空间场域，它们被诸如墙体、屋顶、门窗等各种密度不同的边界彼此分隔（或者说彼此联系更好）。

“方盒子”的建筑类别被人们作为最基础和最小化的空间限定形式而选用。“盒子/容器”是一个抽象的符号化形式，象征着“被割离”的世界，象征着一个被容器内的艺术品所限定、并作为外界参照的世界。□（徐知兰 译）

1 立面：道格拉斯·戈登/Facade: Douglas Gordon

2 立面：埃德·卢查/Facade: Ed Ruscha

3 立面：格哈德·里希特/Facade: Gerhard Richter

4 立面：沃尔特·奥布沃泽/Facade: Walter Obholzer（1－4 摄影/Photo: Margherita Spiluttini）

5 外景/Exterior view

6 外景/Exterior view

7 咖啡厅内景/Café,interior view（5－7 摄影/Photo: Margherita Spiluttini）

8 剖面/Sections

9 剖面/Sections

10 内景/Interior view（摄影/Photo: Margherita Spiluttini）

A Metamorphosis. Let the crate take off, its airborne closure is strengthened by the insertion and penetration of the tube. Like art itself this space for art is both removed from the world and yet part of it, floating away from its surroundings while still occupying space. The exploitation of distance and presence, of proximity and separation as idealised parallaxes of perception enable one to penetrate the space.

Form is defined by use. The perception derived from the use of a form does not necessarily reflect its functional value. Whatever the case, use is also form, a pattern of use which develops from climatic－both social and cultural－circumstances and thus derives its effect, to a certain extent, from the form of the content. Buildings are therefore both containers and relationships seen from different aspects: They not merely define an internal space in terms of a specific character but also external space as “the other side”. This means that inside and outside are differently “charged” fields of space which are separated (or perhaps better put, connected) by boundaries such as wall, roof,window or door that are of different densities.

The building type "box" was selected as the most radical and minimal form of spatial definition.The "box/container" is an abstract symbolic form of the“excised” world, of a world determined by art in a vessel that makes passing references to the outside. □

业主/Client: 维也纳市/City of Vienna

使用者/Occupant: 维也纳艺术馆/Kunsthalle Wien

合作者/Collaborators: Stefan Rudolf, Wolfgang Tröger