琴台美术馆

一直以来，“AT建筑”始终坚持对建筑空间、形式、结构、材料、建造、尺度、场地、环境等建筑学基本问题的深度探讨。“AT建筑”品鉴活动因疫情延迟半年，作为回归后推出的第一个作品，琴台美术馆再合适不过，虽然与柳亦春/大舍建筑设计事务所之前设计的龙美术馆西岸馆同为清水混凝土建筑，却体现着许多完全不同的特质。微微隐于湖景山色中，露出的起伏屋顶的白色山形又是跳脱于城市和场地的；走在屋顶漫游步道自下而上，匍匐向大地的自然绿色与探向空中的纯净白色之间逐级过渡;自由曲面的超大屋盖之下，正交体系的高大展墙向上直抵顶端，近人尺度的展览空间又有种沉静的流动感；从巧妙找形的外部屋顶到人工穴居般的内部聚落空间，从立面到平面都释放着一种张力……建筑面对城市、自然的姿态既抽象、又具象；建筑形式与空间的自由既感性、又理性；数字技术的介入与建筑本体的表达既靠近、又疏离。以上所有都是技术被精确控制之后建筑师对建筑艺术性的凝练呈现——外部回应城市与自然的场所策略，内部回应空间与建造的本体策略，两者共存的状态构成了一个矛盾的综合体。这一作品固然表达了建筑师的某种既有观念，但它的突破和挑战才是值得关注和期待的，这也正是我们推荐琴台美术馆的最重要理由。

"AT Special" has always insisted on the in—depth discussion of the space,form,structure,material,construction,scale,site,environment,and other basic architectural issues."AT Special" appreciation activity was delayed for half a year due to the epi—demic.As the restarting appreciation proj—ect,Qintai Art Museum is very appropriate which is a as—cast finished concrete building same as the Long Museum (West Bund)designed by Liu Yichun/Atelier Deshaus,but it embodies several completely different qualities.Although the building is slightly hidden in the lake and the mountain scenery,the white mountain—shaped undulating roof stands out from the city and site.Walking on the rooftop walkway from bottom to top,there is a step—by—step transition between the natural green creeps towards the earth and the pure white peeks into the air.Under the free—form oversized roof,the orthogonal tall exhibition walls reach up to the top,but the exhibition space nearer to people has a quiet sense of flowing.From the cleverly shaped exterior roof to the artificial cave—like interior colony space,from the façade to the plan,a kind of impressive tension is released......The gesture of the architecture facing the city and nature is both nonobjec—tive and figurative;the architectural form and the freedom of space is both sensual and rational;the intervention of digital technol—ogy and architecture essence is both close and alienated.After the technology is pre—cisely controlled,all the above become the condensed presentation of the architect's artistry of the architecture,that is,the exter—nal site strategy responses to the city and nature,and the internal strategy responses to the essence of space and construction,their coexistence constitutes a paradoxi—cal integration.There is no doubt that this project expresses some of the architect's innate ideas,but it is the breakthrough and challenges that are worth of attention and anticipation.And this is the most important reason for us to recommend Qintai Art Mu—seum.