城中村的马赛克

周实

Studio 10 创始人周实的“城市的时间维度：城中村的马赛克”，尝试从微观角度出发，通过大量收集城中村建筑立面脱落的马赛克，并将其斑驳外观背后承载的四维信息转化为三维柱状图，进而转译为模型，最后将马赛克的脱落图像、三维柱状图以及打印的实体模型整合在一起形成系列装置，使其背后的时间维度得以再次显现。在2017年深圳城市建筑双年展上，上围村展场设计借鉴文物修复中“金缮”的技术手段，以腻子代替贵金属对原建筑的马赛克立面进行精修填充，形成“时间马赛克壁画”，而脱落的马赛克也被收集并重新利用做成水磨石。

In the speech, “The Time Dimension of the City:Mosaics in Urban Villages,” ZHOU SHI, founder of Studio 10, started the attempt from a microscopic perspective. By collecting a large number of mosaics flaked from the facades of buildings in urban villages and transforming the four-dimensional information hidden in crumbling buildings into three-dimensional bar charts, which then transform into models. After combining the image of flaked mosaics, the threedimensional bar charts, and the 3D printed model into a series of installations, the time dimension behind the crumbling surface is represented again. In the 2017 Shenzhen Bi-City Biennale of UrbanismArchitecture exhibition, the design of Shangwei Village took the example of “Kintsukuroi,”a technology for ancient pottery conservation to restore the mosaic facade of the original building.Instead of using noble metal, the spackling paste helped create a “time mosaic mural” some flaked mosaics were also recycled and became terrazzo.

案例 民智学堂 (马赛克装置)，2017 深双汕尾马赛克展览