梅森芭堤雅酒店

项目地点：泰国芭堤雅

建设单位：K WAVE

用地面积：48 000平方米

总建筑面积：9 039平方米

建筑占地面积：6 855平方米

楼层数：3层

建筑/室内设计：Vaslab 建筑事务所

首席建筑师：Vasu Virajsilp

设计团队：Kittipat Sirijumpar, Nattapol Panjasakunwong,Noppon Boonlerd, Aiemporn Prompruksa

结构工程师/水电工程师：Collage工程公司

景观设计：Rafa

设计时间：2015-2016年

竣工时间：2019年

摄影：Spaceshift Studio

Location: Pattaya, Chonburi, Thailand

Client: K WAVE

Site Area: 48 000 m2

Gross Built Area: 9 039 m2

Building Footprint Area: 6 855 m2

Floor Numbers: 3

Architects / Interior: Vaslab Architecture

Chief Architect: Vasu Virajsilp

Design Team: Kittipat Sirijumpar, Nattapol Panjasakunwong,Noppon Boonlerd, Aiemporn Prompruksa

Structural Engineer / Engineer (Water and Electricity): Collage Engineering

Landscape: Rafa

Design Year: 2015-2016

Completion Year: 2019

Photography: Spaceshift Studio

受到当地石匠工艺的启发，Angsila社区、混凝土和石材经过精心切割和加工，形成了独特的设计建筑。梅森酒店作为超现代豪华泳池别墅，是一个隐蔽的度假胜地，自然地融入了现有的土地和海景。度假村的设计旨在创造一种全新的放松体验，在迷人的海洋背景下，每个别墅都有一个私人游泳池，巨大的绿色屋顶沐浴在阳光下，并最后在一个拥有浪漫的日落景色的海滨酒吧用餐。

Inspired by its local craftsmanship of stonemasonry, Angsila community, concrete and stone has been carefully cut and crafted, forming a unique design architecture. The ultra-modern luxury pool villas,MASON, is a hideaway resort which naturally blended into existing land and seascapes. The resort has been designed to create one of a new experience for relaxing with the stunning ocean backdrop, boasting a private pool in every single villa, exposing sunlight by its large greenery roof-deck, and eventually dining in a romantic sunsetting scenario at beachside bar.

私人泳池别墅不仅在材料的选择上与场地的地形相协调，而且在35栋独特别墅的个体设置上也相协调，尽可能地保持场地的条件，尽量减少对环境的影响。从两层通高的迎宾大堂空间出发，通过阶梯式的大楼梯，人的感官得到释放。在到达海滩之前，建筑的空间层次不仅是通过不同层次的冥想池的视觉动态构成，还通过室外和半室外过渡空间的组合作为空间操作超越本体感受。

The private pool villas is harmonized within its topography of the land not only by its material selection,but also within its individual setting of 35-unique-villas, that is to preserve its site condition as much as possible, minimizing impact to the environment. Approaching from double-height welcoming lobby space,our senses will be emerged when walking through stepping-stone grand stairs. Before reaching to the beach, architectural hierarchy of space is conceived not only by visual dynamic through different level of reflective pools, but over proprioceptive sensation through a combination of transitional space between outdoor and semi-outdoor as spatial manipulations as well.

这座建筑坐落在花岗岩石山上，为了与自然融为一体，进行了

隐喻性雕刻。当地的材料，如花岗岩，用来雕刻墙壁，定义空间感知。这些也包括石材石砌超大浴缸和其他装饰工匠，通过自然光和室内空间的人工间接照明来塑造雕刻般的效果。把建筑设计成一门艺术和工艺，有三个主要的因素。首先，它的内部空间展示了ChardchakajWaikawee的湿版摄影艺术画廊（即建筑、元素、食物）。其次，手雕竹编灯等装饰元素由KorakotAromdee设计。最后，洗手盆、背心和其他工匠的雕塑由当地Angsila社区的石雕师制作。

Resting on granite rock hill, the architecture has been metaphorically sculpted in order to become one with nature. Local material like granite has been used for sculpting walls, defining spatial perception.These are also included stone masoning oversized bathtub and other decorative artisans, shaping a carving-like effect by either daylighting and artificial indirect lighting within interior space. Designing architecture as an art and craftsmanship, there are three main contributors. First, its interior space exhibits as an art gallery of wet-plate photography by ChardchakajWaikawee (i.e., architecture, elements,food). Second, some decorative elements like hand sculpted woven bamboo lights are designed by KorakotAromdee. And finally, sculpture of wash basins, vests and other artisans are contributed by the local stone sculptors from Angsila community.

走过这个空间时，就会感知到自然光线中的“空间诗意”。这种现象通过“负空间”和“虚空”来驱动我们的感官体验。这可以通过最大限度地向大海开放来实现，同时保持宁静以准备再次觉醒。

‘Spatial poetry’ from natural daylight has been perceived whenever one walks through the space. Such a phenomenon drives our sensory experiences by ‘negative space’ and ‘void’. This can be done by maximizing opening to the sea, while keeping tranquility to get ready to be awakening again.