EYE Film Institute Netherlands Amsterdam, the Netherlands 荷兰EYE电影学院

荷兰阿姆斯特丹

EYE Film Institute NetherlandsAmsterdam, the Netherlands 荷兰EYE电影学院

荷兰阿姆斯特丹

业主：ING 地产公司

建筑类型：文化

设计竞赛：2005年一等奖

规划设计：2005年

施工：2009年8月

竣工：2011年12月

总建筑面积：6 300平方米

表面面积：8 700平方米

建成面积：3 250立方米

摄影： Iwan Baan

Client: ING – Real Estate

Category: Cultural

Competition: 2005 (1st prize)

Start of planning: 2005

Start of construction: 08/2009

Completion: 12/2011

Floor area [total]: 6 300 m²

Gross surface area: 8 700 m²

Built-up area: 3 250 m²

Photographer: Iwan Baan

电影是一种幻觉，通过放映变得真实，是光、空间和运动三者的协调。在建筑中，这些参数之间的相互作用定义了人们空间知觉的强度和有效性。它们是空间设定的重要元素，通过人体移动次序，以多层次手法呈现建筑效果。

电影学院坐落于阿姆斯特丹中心地段的河畔地区，是阿姆斯特丹鹿特丹新区的视觉地标。这片开发区域蔓延至曾经的Shell Terrain地区——中央车站（阿姆斯特丹的火车站）的河对岸。作为国际石油公司曾经的研究中心，这片区域紧邻市中心，沿着繁忙的城市水脉分布，其功能变化也与周边环境息息相关。

EYE电影学院的设计概念和规划实施都是基于两种创造性学科之间的重叠——其核心贯穿的是现实和虚构、幻觉和真实的体验。建筑概念成为脚本，而建筑成了布景。通过动态的交互作用，建筑被赋予的角色在两者之间徘徊：时而是都市场景的主角，时而又是被放置于混杂多样的城市景观之前的戏剧元素。

位于陆地与水面、城市历史中心区与现代开发地区的的分界面上，从不同的视点观察，这座建筑有着多样的外形，与周围环境实现持续性的对话。该建筑与周围环境的互动、设计定位以及几何形体都让它光彩夺目，超越了城市的分区和历史上的“生命线”——伊日河，辐射到更大的范围。场地内独特的交际效果已经超越了建筑的范围，从而将对于电影学院的参观体验变为一种城市真实性与电影虚幻性之间的持续碰撞。作为一个多功能的交汇点，该建筑的设计构想在很多方面都符合了一个功能性和持续性都极强的文化机构所应承担的职能要求。

Film is an illusion created by the scenic coordination of light, space, and movement, which becomes real through projection. In architecture, the interplay between these parameters defines the intensity and e ff ectiveness of the individual spatial perception signi fi cantly. They are understood to be integrative components of spatial enactment, their e ff ect being projected through sequences of human motion and unfolded in multilayered ways.

Situated in the privileged riverside area in the heart of Amsterdam, the Film Institute represents the visual landmark of the new Amstrdam Noord quarter. This development area extends over to the former Shell Terrain on the opposite side of the river to the Centraal Station, Amsterdam’s train station. As the international oil company’s former research centre, this area which is situated close to the city centre and along the the busy urban water vein held a sensitive function.

Both the Eye Film Institute’s concept and urban implementation are based on an overlay of two creative disciplines which have at their core reality and fi ction, illusion and real experience. The building concept becomes the story board, the architecture the scenography. By delivering a dynamic interplay,the building’s assigned role oscillates between acting as the urban scenery’s protagonist and as a dramaturgical element placed in front of a heterogeneous landscape setting.

On the interface between land and water, between historic centre and modern development area,the building adopts many faces from each viewpoint, thus finding itself in a constant dialogue with its surroundings. Its radiance overcomes the city’s natural divide and historic lifeline, the IJ river, and is defined by its interaction with the surroundings, its positioning, and geometry. The area’s distinctive communicative effect goes beyond the confines of the building, thus transforming the visit to the Film Institute into a sustained encounter between urban reality and cinematographic fi ction. As a multi fi nctionalmeeting point, the building’s architectural formulation complies in multiple ways with the responsibility held by a cultural institution of the highest functionality and sustainability.