李见心
Appreciation of Yang Yongbis painting was a tranquilizing experience. His paintings talked to the audience and asked their hearts to answer back. Yang Yongbis paintings created a moment of peacefulness. In the disastrous era for attentions, his paintings kept a quiet space for the audience.
Yang Yongbi was born for painting. As a toddler, he started doodling. He shocked people with his sketches as a teenager. In one hand was his Chinese painting, and in the other was oil painting. He draws the secrets of time, the sadness and happiness of people, and the character of different scenes. His brush seems like a flowing line of life.
很荣幸永弼先生选中我为他的画说几句话。他深知诗是无形画,画是有形诗,诗画本一律,天工与清新。诗人从远处说话,画家把远方带回家。他用大千世界的图画对我说话,让我的心灵以诗歌应答。
诗和画以及整体上的艺术,都是对丧失一切的补偿。只不过画家使用的是蘸着光的语言,押的是色彩的韵律,用一根线条去散步,在自己的尺寸里把仙逝的时间定格在着魔的空间。
该怎么形容永弼先生的画呢?有一种时刻止住了混乱。扑面而来的是大朵的宁静和时光溅起的回声,在时代和外界灾难般的喧嚣中,它葆有自己宁静的黄昏。老练到新鲜,熟悉到陌生,在最平易处突现奇崛,在最安全的框架里流出倾斜,用过去的光环来象征带有永恒意味的男人和女人,用真实的光线和色彩的震动来传递永恒的风景。他好像准备了所有的四季在等你的眼睛,为你的眼睛准备了一则寓言,等着你的心灵加冕。让你的心灵捡去烦躁,沉静下来,只倾听他的手势为你弹响的天籁般的宁静。
他的手是为画画而生的,从两岁第一次抓住笔就开始涂鸦,十几岁的素描就让人惊艳,他有空中抓物的能力。在另一条线路,在常人之外。在飘忽中他像有五只手按住了斑斓的蝴蝶,光线的翅膀。他就那样开始,也是叙述,在色彩中他有种清醒。他就那样坚定地画下去,像扎染的丝绸给心灵以静谧的波动。
他左手国画,右手油画,能搬运大的题材于股掌之间,又能把小情小景拓展到无限。说到底画家的使命是在边界里打破边界,说到底画家的责任是在空间中完成时间,让时间停留。他画出了时间的秘密心脏,他画出了人物原始的哀愁和自然的喜乐,画出了风景里的人格和心跳。他的筆触堆积是海,放开是江,是一条条不息的生命线……
该怎么描述永弼先生的人呢?正像他的名字一样永远辅助别人,谦谦君子,与人为善成人之美。大海之所以博大,是因为它总站在低处。而他总是擅长在海水里提炼火焰,这静态的火焰铸就了他的品格和画风,是个审慎的理想主义者。他十几岁就天才乍现,可他不想让自己的才华电光石火,而有意让自己慢下来,在时光中发酵,在沉潜中慢慢磨练和升华自己的意志、技艺和思想。艺术本身就是一种慢,他深暗此道,用最朴拙的方式一点一滴地逼近内心的妖娆和事业的锦绣。
他还有意把自己藏起来,藏进了历史和生活的深处,藏进了山川沟壑的皱纹,藏进了人群的大海和开花的梦中。可他和艺术的悖论一样是越藏而越大,越露而越少,他越像大海一样的低调就越能在大海中耸起一座高山的位置。这正应了法国作家拉布吕耶尔所说:“谦虚之于功德,犹如阴影之于绘画,前者使后者脱颖而出。”
我相信我的同事永弼先生会用一幅幅心血之画为我们耸起时间,辟开道路,用油墨的芳香为灵魂贿赂永恒的位置。
让我们在他的画中安家,诗意的栖居,获得“旺盛的缓冲”,呼吸着往昔,朝圣着未来,与光同尘,与爱同色!
Yang Yongbi was born in Suizhong, Liaoning Province, in 1963. He graduated from Luxun Academy of Fine Arts in 1984. He served as a member of China Artists Association, member of Liaoning Artists Association, member of CPPCC of Jinzhou City, Chairman of Jinzhou Artists Association, national first class artist. His art works were selected for multiple national art exhibitions and the International Art Exhibition for the 60th Anniversary of Anti-Fascist War, the national art exhibition for the 80th Anniversary of the Foundation of Army, the national art exhibition for the 90th Anniversary of the Foundation of Army. His oil paintings and Chinese paintings were collected by famous museums and won many awards. He attended the creation work for museums and memorials across China and his works were published on significant magazines many times.
杨永弼,1963年生于辽宁绥中,1984年毕业于鲁迅美术学院。现为中国美术家协会会员,辽宁省美术家协会主席团委员,锦州市政协委员,锦州市美术家协会主席,国家一级美术师。作品入选第八届、十届全国美展及反法西斯战争胜利六十周年国际美展,建军八十周年全国美展,建军九十周年全国美展;国画作品《冬月拾忆》参加首届写意中国中国画大展,国画作品《晨曲》参加中国美协主办的南粤之光中国画大展,《辽西走廊文明之光》参加辽宁省重大历史题材获最高奖项,油画作品《抗战的一天来到了》被中国美术馆收藏;2018年油画作品《父辈的烽火岁月》获第五届辽宁金彩奖金奖。多次参加全国各大博物馆、纪念馆等大型壁画、全景画、半景画创作,作品多次发表在《美术》《人民日报》《中国油画》等报刊。